Andrew
Blythe
By Sophie Keyse and Erwin van Asbeck
Andrew
Blythe is a gifted self-taught artist whose arresting, rhythmic paintings
possess a raw and deeply moving beauty. Over the last few years this gifted
artist’s practice has been prodigious.
Andrew
is not inclined to label or title his paintings, but rather for them to be seen
as an ongoing dialogue of “free expression and abstract figurative composition,
to be enjoyed… I am an empty vessel when I paint.” Much like the abstract expressionists of the
mid-20th century, Blythe views the paint brush as a tool to
communicate his innermost thoughts and feelings, with each stroke a cathartic
expression. The all-over compositions that Blythe creates also align him with
painters like Jackson Pollock, with their lack of central focus and
proliferation of paint over the picture plane. Using predominantly acrylic
paint for its ease of application; Blythe typically paints on paper to enable
constant repetition and a pushing and pulling of ideas.
His
present exhibition at Corban Estate Arts Centre focuses on his monochrome works
and the use of pattern to create optically challenging artworks. The repetition of the ‘x’ and the word ‘no’
attribute a rather nihilistic element to the works, however one should approach
Blythe’s paintings with an open-mind and attempt to interpret them without the
inevitable connotations of such loaded symbols/words. Furthermore, the saturation of the picture
planes with these marks almost serves to drain them of their significance and
operate on a level independent from traditional interpretation.
Since
2000 his passion for painting has been supported by Toi Ora Live Art Trust, a
community arts centre providing studio space and tuition for people who have
experienced mental illness. Andrew has been exhibiting his works over the last
ten years.
Andrew
is also showing at Darren Knight Gallery in Sydney and has work in a group show
at Roar Gallery in Wellington.
Andrew Blythe's artwork will be on exhibition at CEAC Gallery until 15 April.